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| St. Francis of Assisi, Bend, OR ...the new church |
“GREGORIAN,
GOSPEL AND GERSHWIN": Mark Oglesby presents an organ concert; donations
accepted; 7 p.m.; St. Francis of Assisi Catholic Church & School, 2450 N.E.
27th St., Bend; 541-382-3631
I guess it is fair to assume that the concert will include
musical compositions of each of the genres mentioned.
Now, it seems that a parishioner – before the new church was
even built – supposedly donated $100,000 for a quality pipe organ. The one
that's currently installed there is a combination pipe/electronic organ, and is
of reasonable quality, I’m told.
Well, yes, there would have to be an organ for the guest
organist to play; hard to imagine him bringing his own!
But the organ, of course, is in the church.
Houston,
we have a problem…
In 1987, the Congregation for Divine Worship and the
Sacraments issued a declaration on “Concerts in Churches”. According
to that document (my emphases
throughout):
5. According to tradition as
expressed in the rite for the dedication of a church and altar, churches are
primarily places where the people of God gather, and are "made one as the
Father, the Son and the Holy Spirit are one, and are the Church, the temple of
God built with living stones, in which the Father is worshipped in spirit and
in truth."…
Churches, however, cannot be
considered simply as public places for any kind of meeting. They are sacred
places, that is, "set apart" in a permanent way for divine worship by
their dedication and blessing.
In other words, it ain’t just a music hall!
In Section III of the document, entitled “Practical
Directives”, we are told that
8. The regulation of the use of
churches is stipulated by canon 1210 of the Code of Canon Law:
“In a sacred place only those
things are to be permitted which serve to exercise or promote worship, piety
and religion. Anything out of harmony with the holiness of the place is
forbidden. The Ordinary may, however, for individual cases, permit other uses,
provided they are not contrary to the sacred character of the place”.
The principle that the use of
the church must not offend the sacredness of the place determines the criteria
by which the doors of a church may be opened to a concert of sacred or religious music, as also the concomitant exclusion of every other type of music.
The most beautiful symphonic music, for example, is not in itself of religious
character. The definition of sacred or
religious music depends explicitly on the original intended use of the musical
pieces or songs, and likewise on their content…
The “Gregorian” pieces would likely qualify, but Gershwin
would decidedly NOT fit the bill. And “Gospel”? Well…it’s almost hard exclude “Gospel”
music when you consider some of the musical ditties most parishes sing on
Sunday morning if they use the OCP song books.
We also find further along in the document that:
10.d. The performers and the
audience must be dressed in a manner which is fitting to the sacred character
of the place. [Hmmm. Well, I have it on good authority that many parishioners at St. Francis don’t dress in such a manner for Mass, let alone for a concert!]
e. The musicians and the singers should not be placed in the sanctuary. The greatest respect is to be shown to the altar, the president's chair and the ambo. [Umm...here's a photo of the current pastor's dog seated in the president's chair in another church...and there wasn't even a concert going on at the time.]
e. The musicians and the singers should not be placed in the sanctuary. The greatest respect is to be shown to the altar, the president's chair and the ambo. [Umm...here's a photo of the current pastor's dog seated in the president's chair in another church...and there wasn't even a concert going on at the time.]
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| Besides the sacrilege of the dog sitting in the presider's chair, why is the human drinking a beverage in the sanctuary? Is that not a sacred space whether or not Mass is going on? |
f. The Blessed Sacrament should be, as far as possible, reserved in a side
chapel or in another safe and suitably adorned place (Cf. C.I.C., can 928, par.
4).
g. The concert should be presented or introduced not only with historical or technical details, but also in a way that fosters a deeper understanding and an interior participation on the part of the listeners. [That’s gonna be difficult with the Gospel and Gershwin stuff.]
g. The concert should be presented or introduced not only with historical or technical details, but also in a way that fosters a deeper understanding and an interior participation on the part of the listeners. [That’s gonna be difficult with the Gospel and Gershwin stuff.]
I shudder to think what sacrilege this event might entail. Is it so hard to understand that the church is for the worship of God? Do we really need rules and regs to tell us not to play inappropriate music in a church? Or not to plop a dog in the presider's chair for a cute photo op?
This is the same parish, by the way, that has the problem
with light bulbs. Due to the design of the church, changing the ceiling
light bulbs requires the services of a contractor who can bring in a
“cherry-picker” to reach them. And of course, bringing in a piece of equipment
like that requires unbolting and moving a large number of pews to make room for
it. Cost? $12,000. The church is now
three years old, and the 10-year bulbs are already starting to burn out.
But there is a plus side, says a correspondent from that
parish:
Time passes very quickly here
in Bend; three of our ten-year light bulbs have burnt out, and yet none of us
look a day older, let alone 10 years. I think we have found the "fountain
of youth”, right here in the Armadillo. (I refuse to call it the
"new" Church because after all, in light bulb years it's over ten).
I still think “Aztec handball court” is an apt description
for the place, from the photos I’ve seen. 